Wednesday, 12 November 2014

Littlewoods: #CelebrityWishes


Image from Event Magazine
Celebrities feature in the 2014 TV commercial from Littlewoods.  The ad's theme is one of pantomime, as the characters appear to be acting out Aladdin on stage, complete with celebrities Myleene Klass and Christopher Biggins.

This creative execution is likely to be less controversial than their 2011 offering which received more than 450 complaints.  The ASA, the UK's advertising regulator, refused to investigate, and a lively debate started online about the merits of the campaign.  Most of the comments were negative to Littlewoods. Audience engagement, yes; a social media meme, perhaps not.

Many people watching the ads will be unaware that Littlewoods no longer has a presence on the High Street having started closing stores in 2004-5 and moved to online trading.  It is now in a highly competitive sector, up against slick online-only operations like Amazon as well as the online trading sites of other retailers.

The 2014 advertising, both on broadcast TV and online, links closely to the firm's shopping portals.  The ad itself is full of products and gift ideas.  Klass has a role as a fairy magically transforming gifts (something happening in this year's advertising from M&S which features two fairies). Klass's role in transforming wishes is part of the message to be developed on social media, themed around #LittlewoodsWishes (see below).  Biggins is there for comic relief.

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The TV campaign started on November 7, during the commerial break for Coronation Street, something which should have given Littlewoods around 7.5 million viewers.  At the time of writing the Youtube video had a respectable 350,000 viewings. A punchy soundtrack is delivered by Sam and the Womp's Bom Bom.  Littlewoods don't appear to have any plans to commercialize this in the way that Asda and John Lewis have done, where specially recorded tracks have been made available for download on iTunes and other platforms.  Myleene Klass is a talented classical musician in her own right, but her appearance here has more to do with her role as a 'brand ambassador' and fashion designer for the store.

The pantomime theme is not a random creative choice.  It highlights Littlewoods's deal with the Ambassador Theatre Group where Littlewoods are sponsoring pantomimes in 10 UK locations.  Tied into this is an ambitious 'Christmas Wishes Tour' which will travel to the cities involved (including Birmingham, Liverpool and Glasgow) with a themed combination of entertainment and retailing designed to put Littlewoods back into city centres.   The designers claim that  "This is a great example of experiential and digital out-of-home working hand-in-hand to drive customer engagement with the Littlewoods brand. The immersive nature of the activity, along with on-site technology and prizes, brings the brand to life and into consumer’s hands."

The tour will give Littlewoods the chance to develop a social media campaign around the hashtags #ChristmasWishes and #LittlewoodsWishes.  M&S is doing something similar with its #FollowTheFairies campaign.  Both campaigns are interesting examples of where retail brands are combining broadcast messages with online narratives linking into real-time, face-to-face engagement. Littlewoods is going further than most by using NFC technologies at their events to entice customers into their online stores via their smartphones.  We would expect to see Littlewoods using Klass and Biggins at these events.

Littlewoods have made brief reference to the new campaign on their Facebook pages, where they have approaching 200,000 fans.  Similarly, there has been a half-hearted promotion of #ChristmasWishes and #LittlewoodsWishes on Twitter where they have a more modest 39,000 followers. Myleene Klass is far more active in this medium, and tweets almost constantly to her 450,000 followers, including linking to her work for Littlewoods.  Christopher Biggins is quiet by comparison although this might change as #LittlewoodsWishes is ramped up.

Overall this is turning out to be an imaginative campaign with the various elements carefully thought through.  The mix of online and real-world, shopping and entertainment, should work well.  Currently, though, the focus is very much on engagement equaling transactions, and the social media elements have yet to get going.



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